Saul Steinberg’s Illustrated Philosophies: A Journey of Reasoning on Paper – On display at the Nelson-Atkins through October, 29th

In the realm of speculative art, where imagination intertwines with intellect, one name stands out as a luminary – Saul Steinberg. With his masterful illustrations that transcend the boundaries of conventional artistic expression, Steinberg presents us with a “way of reasoning on paper” that challenges our perceptions, tickles our minds, and brings us face to face with the existential and theoretical nature of creation.

Saul Steinberg’s artistic journey is a testament to the idea that art is not merely a visual spectacle, but a profound exploration of thought. His illustrations are more than just drawings; they are philosophical inquiries, intricate puzzles waiting to be solved, and contemplative mirrors reflecting the complexities of human existence.

The phrase “a way of reasoning on paper,” eloquently captures Steinberg’s approach to his craft. His art is a visual manifestation of his intellectual musings, an attempt to make sense of the world around him by translating thoughts into lines, shapes, and forms. Every stroke of pencil, ink, and crayon on paper becomes a pathway to unravel the mysteries of existence.

Steinberg’s art challenges our perceptions of reality, urging us to see beyond the surface. His iconic New Yorker covers, for instance, depict cityscapes as intricate networks of metaphors, each building and street embodying a different facet of society’s collective consciousness. His “View of the World from 9th Avenue” presents a whimsical and insightful commentary on how our perspectives can be both limited and skewed.

The existential and theoretical properties of Steinberg’s creations are a testament to his mastery of medium. His use of pencil, ink, and crayon imbues his illustrations with a distinct quality that invites contemplation. Pencil lines are both delicate and confident, leaving room for interpretation and inviting viewers to fill in the gaps. Ink adds depth and permanence, capturing the essence of his ideas with striking clarity. Crayon brings in a sense of childlike wonder, juxtaposing sophisticated concepts with a playful touch.

In a world where art often seeks to define itself within strict boundaries, Steinberg’s work defies categorization. His illustrations are not just static images; they are dynamic conversations with the viewer, encouraging us to engage in a dialogue with the artwork and with ourselves.

Saul Steinberg’s art is a call to embrace the unknown, to question the norms, and to venture into the uncharted territories of thought. His intricate illustrations challenge us to think critically, to ponder the intricacies of existence, and to engage in a “way of reasoning on paper” that goes beyond the surface. As we immerse ourselves in the whimsical world of Steinberg’s creations, we are reminded that art is not just a product of creativity; it is a reflection of the human experience, a journey of discovery that transcends the boundaries of time and space.

So who exactly is this cat, Saul Steinberg.

Saul Steinberg was born on June 15, 1914, in Râmnicu Sărat, Romania, emerged as one of the most influential artists of the 20th century. Renowned for his inventive approach to illustration and his philosophical exploration of the human experience, Steinberg left an indelible mark on the world of art and beyond.

Steinberg’s early life was marked by a fascination with drawing, evident from a young age. He studied philosophy and literature at the University of Bucharest, but his passion for art soon led him to pursue a degree at the Reggio Politecnico in Milan, Italy. After completing his studies in architecture, Steinberg’s career took a twist when he began working as a cartoonist and illustrator for various Italian magazines.

In 1940, political turmoil forced Steinberg to flee Europe for the United States. Settling in New York City, he soon became a prominent figure in the city’s vibrant art scene. His breakthrough moment came in 1945 when The New Yorker published his first cover, introducing his distinctive style to a wider audience. This marked the beginning of a decades-long collaboration with the magazine, during which Steinberg produced over 85 covers and countless interior illustrations.

Steinberg’s art defied categorization. His illustrations ranged from whimsical and surreal to deeply philosophical, often blurring the lines between art and philosophy. His iconic work, “The Line,” which he described as “a way of reasoning on paper,” showcased his ability to transform a simple line into a multidimensional exploration of space, form, and perception.

One of Steinberg’s most famous creations, “View of the World from 9th Avenue,” published in 1976, captured the essence of urban life in a humorous and thought-provoking manner. This illustration, portraying New York City’s dominance in the American psyche, became an enduring symbol of the city’s identity.

Steinberg’s exploration of art extended beyond traditional mediums. He experimented with a variety of materials, including pencil, ink, crayon, and collage. His innovative use of these materials helped him create intricate layers of meaning within his illustrations, inviting viewers to delve deeper into his visual narratives.

Beyond his illustrative work, Steinberg also dabbled in sculpture, textiles, and even stage design. His ability to seamlessly blend disciplines demonstrated his boundless creativity and artistic versatility.

Saul Steinberg’s legacy transcends the confines of the art world. His contributions to visual culture and philosophical discourse earned him numerous awards and honors, including a Guggenheim Fellowship and an induction into the American Academy of Arts and Letters.

Steinberg’s influence extended beyond his lifetime, inspiring subsequent generations of artists and thinkers. His work continues to be celebrated in exhibitions around the world, ensuring that his unique perspective and “way of reasoning on paper” remain relevant and thought-provoking for years to come.

Saul Steinberg passed away on May 12, 1999, but his legacy lives on through his illustrations that challenge the boundaries of art, philosophy, and human understanding. His ability to capture the complexities of existence with a stroke of a pen or a line on paper has left an enduring imprint on the artistic landscape, making him a true visionary and a luminary in the realm of speculative art.

Steinberg remains a favorite of mine. Ranked among Jamie hewlett, Ralph Steadman, and Basquiat.

If you find yourself in Kansas City, be sure and reach out. I’ll take you out for tea and we’ll wander the galleries until we’re dizzy.

Cheers,

Nicholas